In summer the early morning is a good time of day for walking around the town –cars are few, light is warm, air is cool, and thoughts are clear. Moving along the sidewalk the angled light casts long shadows and touches the surfaces of things in a glittering way. Even without looking through a camera lens the familiar elements of composition come to mind as I mentally form some scenes in passing. The colors of store fronts, the texture of weathered wooden walls and rusted metal sheathing, the warm tone of the first hour of daylight, the line of one subject in foreground and another in background to give shape to the composition, and the play of shadow and light values brightest to darkest all come to mind in the morning walk as one subject after another comes into view.
For a person of school age there will be other concerns and interest to fill their minds than the light talking to the streetscape. So, too, of a parent taking care of a household with people of younger and older generations. For a retired person there will be still other interests and preoccupations. Perhaps only someone in a contemplative, reflective, or philosophical frame of mind will pass these shops and houses along the street and think about the composition of light values, textures, colors, and lines of foreground and background. Instead the young or old will be too busy paying attention to costs, time, safely crossing the street, making sure not to forget to return a phone call or avoiding peer criticism for overlooking one’s obligations. In other words, more attention goes into safely crossing the road than in pausing to really see the road: its color, texture, line, and lighting. Most people are too busy with actively playing the game of life to be able to stop their forward motion long enough to look around and see exactly how things look and the way that light abundantly touches most everything directly, or indirectly, or how it is suggested by its absence (shadow). We readily emphasize the BUSINESS of living instead of the business of LIVING.
Perhaps the recent attention on “mindfulness” associated with Buddhism and specifically the writings and recordings of the Zen monk Thich Nhat Hanh when one is walking, eating, meeting others, and so on can also be applied to this situation of walking early in the morning and really seeing, touching, smelling the passing views from one minute to the next. Too often in a conversation the listener is not hearing the meanings but instead is dwelling on the next question to ask, the reply to the speaker’s point, and so on. Too often in walking through one’s day, similarly, the person is too busy dwelling on what comes next rather than to abide in the present moment and to see all there is to see of a place. “Wherever you are, BE there,” is one form that the mindfulness instruction takes. Notice the shapes, color, light, and light. Hear the summer morning sounds of cicadas. Smell the breakfast cooking, the wisp of tobacco smoke in passing, or the river smell as you walk its bank.
There is a basic tension between looking that just skims the surface in search of familiar cues and landmarks in one’s hurried routines, but does not deeply look at what is there –on the one hand; and the inverse: looking past the surface and seeing the complete context with the sort of augmented* reality of an experienced archaeologist excavating, a forensic specialist reading clues, or a hunter tracking the signs of what happened earlier at a location. In the typical mindset, much in a rush to accomplish the day’s plans, there is usually little extended reflection on the flow of events, since the biggest consideration is instrumental or functional; getting something done, paying debts, meeting the deadline, avoiding liability, putting food on the table. In the inverse, the task accomplishment is secondary, while the reflecting about the way things are takes priority. One extreme is to be a walking canvas, sensitive to the visual details and meanings, in and of themselves of value and interest. The other extreme is to be blind to these visual values and instead be preoccupied with “things to do,” including places to go, people to meet, money to spend. Surely somewhere in the middle is best: busy with normal life, but also filled with the beauty and feeling of awe from the wonder of light all around you. Go forth with list of errands in one hand, but with camera in the other hand to make a record of what you see and think along the way.
* Augmented by seeing history, past circumstances, and individual aspirations, as well as future circumstances that may be probable in a location; seeing whole generations expressed in material forms; visualizing social networks and burdens of ownership in caring for property, businesses, or fields and forests; imagining dreams achieved but also plans gone awry; envisioning cultural expectations and ideas that shift sometimes in a single generation.